Wilson Makgawinata is a Vancouver-based multidisciplinary artist working primarily with ceramics. His work explores speculative archaeology and post-cyberpunk aesthetics. Working through both wheel throwing and handbuilding, he creates sculptural ceramic artifacts that resemble relics from an imagined future—objects shaped by pressure, adaptation, and technological obsolescence. His practice blends industrial references with organic forms, often incorporating experimental glazes and mixed materials to suggest systems that are no longer functional but still charged with meaning. By presenting ceramics as artifacts rather than vessels, his work invites reflection on memory, technology, and what traces our present might leave behind